They were numerous methods of producing porcelain, and colorful decorations that sweetened by this production, use drawing color under the transparent glaze, also used gilding over the paint, as well as drilling, punching and enamel as well as the luster
There is no doubt that the precision and great skill in the work of designs, decorations, various containers brushing directly in confidence and command and control, show that he was working in the centers of ceramic artists specialize in painting and engraving, they decorated the containers in accordance with Islamic tradition, the tendency toward abstraction, simplification and enrich the surface to be decorated a variety of units without paying attention to match the natural shape, the same trend that we observe in the decorative fabric, metal, wood .... . Thus
The included ceramic various aspects of the needs of everyday people, whether if these requirements private or public, have made Muslim artist ceramic tiles in different forms to cover the walls, as well as some niches, cups, mugs and cups and saucers and sultans, cups, bottles and pitchers and Alazear and theaters
The advanced ceramic industry in the Middle Ages great progress, since the Muslims conquered many aerodynamic diameters, with a long tradition in this art, especially Iran, Iraq, Egypt and the Levant, was the establishment of schools of art in the Ahodh thriving, bear recovery in all walks of life
Has an Islamic renaissance in the ceramics industry at the beginning of the ninth century AD / third Hijri, because historians are caused, to porcelain artifacts imported by the Abbasid caliphs of China in the era of the Tang Dynasty, which ruled China between 618 AH / 908 m, and shred Artists Muslim tradition of this kind of porcelain to the extent that it is difficult but sometimes impossible to distinguish between what is native of China and the local Islamic...
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