The third type was unique to Andalusia and paint finishes under the exterior paint is on the elements of plant, birds or geometric elements or Arabic inscriptions, and is dominated by green, blue and Algahoaii Drawings and features large size, strength and clarity, either, which is characterized by the property from other Islamic ceramics at such innovative method in the glaze, which was known by the Islamic East and is known in history books as art (the way Dry intervals), which means that the vessel was not yet formed glazes all at once in one color, but was divided into sections glazes each and every one of them by a special color and brush separates each color from the other deep notch, and then settled in the oven after this glaze Has been the case until the French researcher Reskeroi curator of ceramics in the city of Sevres, France, and drew attention to the clay that this gold is in fact Andalusian-made and not Italy, since this tended Alaltvavp Care Andalusia to study ceramics
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